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The following are the FringeNYC 2018 shows I’ve seen from beginning to end. (Shows that I walk out of mid-stream—sometimes just because time is exceptionally short for me this month, but sometimes to avoid tearing my head off—aren’t mentioned.)
The shows are listed in rough order of personal preference, with each production assigned one to four stars using the following rating system:
**** = Transcendently Great
*** = Solid & Worth Seeing
** = Unless Your Relatives Are in the Cast, Think Twice
* = “I Wanted to Kill Myself”
I’ll be updating the list often, so please make a habit of checking this page frequently.
Please also note that I very seldom rate a show four stars. (For example, during FringeNYC 2016 I gave only 5 productions **** out of 58.)
All that said, what follows are the 5 FringeNYC 2018 shows I’ve seen to date from beginning to end, listed in rough order of preference:
Pretty Sad White Girls ***
When I’m not reviewing FringeNYC, I cover comedy; and one of my most joyful discoveries on that beat this year was Pretty Sad White Girls. Back in March I wrote “Lisa Bettencourt & Jillian Schiralli are a comedic musical duo who deserve your attention. They combine witty original lyrics with beautiful harmonies, hitting notes that may make you happy for days afterward. If you love Garfunkel and Oates, then you’ll probably also adore these superb artists working a similar folk comedy vein.” While the songs—both the music & lyrics are written by wondrously talented rising star Lisa Bettencourt—are still top-notch, Jillian recently got married and dropped out of the group. Her brand new replacement, Katie Emerson, is a skilled theatrical actress with a beautiful voice, but—to my eye—is still in the process of figuring out how she “fits” as half of a comedy singing duo. Also, the banter between songs doesn’t always quite hit the mark; and at 50 minutes, the show feels too short. (Then again, “it left me wanting more” is as much a compliment as a knock…) So I absolutely recommend this show. I just feel that, with further development, it could rise to a **** rating; and it wouldn’t at all surprise me if it becomes increasingly greater as the festival goes on.
Hillary Clinton’s Song Cycle: Witness **½
Random songs about the heartbreak of Hillary’s 2016 election loss can’t help but come across as dated, especially a month before the 2018 midterms. That said, this is well-intentioned, and a few of the songs are especially memorable, such as the lovely Walk in the Woods (click to listen) and the musical plea to President Trump “Please, Won’t You Come to an Unfortunate End?” Also, keyboardist and co-singer Deidre Rodman Struck is superb—frankly, outshining the writer & lead singer who plays Hillary—and is reason enough to come experience this folk cabaret. Here’s hoping Struck goes on from this to create her own show.
Chicago-based sketch duo Olivia Nielsen & Patriac Coakley are skilled performers who understand both comedy and darkness. I wanted to 100% love this, but the writing was simply too hit-or-miss. That said, the sketches that hit the bullseye—such as the “deer in the headlights” bit, or the encounter between the mom and the teen boy who likes conversation—are as fine as anything in the fest. Also, Olivia Nielsen’s expressive face and disciplined character portraits are well worth catching, particularly if you’re a casting director seeking fresh talent.
Grand Rounds **½
The term grand rounds refers to a formal meeting at which physicians share information about patient care and hone clinical reasoning skills. In this show, terrifically organic actress Caroline Luft gives just such a medical lecture…except it takes increasingly odd turns as it veers from the medical to the personal. The script by Chris Adrian has an impressively Aaron Sorkin-like density & pacing—you can actually read it by clicking here. For me, the material starts out strong but doesn’t quite come together. However, you may well feel differently, so please feel encouraged to skim the script and then decide if you’d enjoy having it expertly performed by Luft.
Turing Test **
This science fiction drama started out well, with a really interesting analysis of a sonnet. But then, inexplicably, the writing seemed to lose direction and imagination, with action slowing to a crawl and story logic falling apart. Also, the “surprise twist” is not only evident in minutes, it’s explicit in the show’s title (if you don’t already know, Google it). The only reason I’m not rating this lower is my fondness for the first 25 minutes (out of 100), and the solid performances of all four actors. Still, there are better ways to spend your time.
Friday 10/12-Sunday 10/28 (plus outer borough shows 10/1-10/31): My favorite annual NYC event is the New York International Fringe Festival, which has grown to become a major force in New York theatre…and an absolutely wonderful experience for anyone who loves vibrant live shows. The largest multi-arts festival in North America, this 21st annual FringeNYC offers around 80 productions running from October 12th through October 28th at its primary hub in the West Village. In addition, venues in Brooklyn, Queens, Staten Island will be hosting FringeNYC-affiliated shows during the entire month of October. FringeNYC productions run the gamut, including theatrical comedy, theatrical drama, musical, opera, sketch, improv, dance, solo, puppetry, clowning, performance art, and children’s. I won’t be doing my usual comprehensive coverage this go-round (am juggling a lot of professional balls right now), but will provide some guidance as the fest goes on: FringeNYC 2018
You can find the vast majority of notable NYC live comedy shows by using the links below to explore the schedules of the following top NYC comedy venues:
Best Inexpensive Stand-Up, Improv, Sketch, and Storytelling
Upright Citizens Brigade Hell’s Kitchen
555 West 42nd Street; 152-seater; one of the most respected comedy showcases in the world; especially strong on improv, sketch, solo shows, and one-act comedic plays; shows free-$12
Upright Citizens Brigade East
153 East 3rd Street; 99-seater; a top comedy venue that focuses more than sister theatre UCB Hell’s Kitchen on stand-up and screenings, and on experimental shows taking big risks; shows free-$12
The PIT Striker (Upstairs) Theatre
123 East 24th Street; 88-seater; a top venue that’s a powerful rival of UCB, and often surpasses UCB when blending comedy with music and/or theatricality; shows free-$20
The PIT Loft
154 West 29th Street; 50-seater; the third of The PIT theatres, located separately on the West side, hosts a wide range of comedy, but is especially effective as a home for intimate solo and/or theatrical shows; free-$20
Best NYC Stand-Up Comedy Clubs
NYC Stand-Up Open Mics & Improv Jams
If you want stage time, you can find one or more stand-up open mics virtually any night at Manhattan’s The PIT, Eastville Comedy Club, and Stand Up NY Comedy Club, and at Queens LIC’s The Creek and Astoria Queens’ QED.
In addition, at the East Village’s UCB East you can typically find a stand-up open mic Thursdays at 6:00 pm, an improv jam Wednesdays at 11:15 pm, and a rare bring-your-own-group improv/sketch open stage Sundays at 11:00 pm. And in Chelsea, The Magnet offers an improv jam on Wednesdays at 6:00 pm, and a rare musical improv jam on Tuesdays at 6:00 pm.
All of the venues above typically provide you the stage time either for free or for $5.
There are also numerous other open mics throughout the city. For a more comprehensive list, please visit FreeMicsNYC.
Special Thanks to Mindy and Anya
From legendary NYC comedy site Brooklyn Vegan: Thank God for Hy Bender’s religiously updated show bible Best New York Comedy (and HyReviews.com). He is literally the only person in NYC providing daily summaries of what’s happening comedy-wise. It must be exhausting keeping that monster of a website alive. It is your daily comedy itinerary and it scares me how on top of his shit this guy is.
From comedy & rock goddess Lane Moore (host of smash hit Tinder Live; author of How to be Alone; lead singer of Brooklyn band It Was Romance): Hy Bender lives and breathes comedy. He knows what he’s talking about. Listen.
Please feel encouraged to reach out to tell me about comedy shows, provide feedback on my cross-genre short story anthology Ghosts on Drugs, hire me to develop your book or screenplay (please visit BookProposal.net or HyOnYourScript.com), or for any other reason by emailing me at email@example.com.